Since January 2023, I have transformed a yellow tent in my apartment into a site of resistance and reflection, responding to the racism and sexism I experienced after being called a “little yellow woman” in Pennsylvania. By 2025, I have transformed the yellow tent into a transnational feminist tenting art pedagogy developed with ten East Asian immigrant women who have lived in the United States from four to thirty years. What began as a private tent has expanded into collective narratives from women originating in China, South Korea, Japan, and Taiwan. I theorize this pedagogy through transnational feminism, posthuman feminism, and artistic tent praxis. Methodologically, the study is grounded in participatory arts-based research (PABR). Within participants’ intimate spaces, the yellow tent functions as a site for feminist dialogue, collaborative artmaking, and storytelling through transnational objects. Using three cycles of coding analysis, I examine their arts-based narratives, which reveal experiences of (un)belonging, daily discrimination, and persistent stereotypes of East Asian women—such as being perceived as silent, submissive, or confined to family roles. Ultimately, I argue that transnational feminist tenting art pedagogy fosters community-building, opens possibilities for articulating in-between identities, and cultivates posthuman feminist agency. What originated as a personal tent art practice now amplifies immigrant women’s voices and renders visible underrepresented minorities in the United States.